One question per post, answered the way I wish someone had answered it for me. If you want them in order, start in the Studio.
With Claude doing the coding, I built two working LA-2A-style compressor plugins for Logic with one prompt. Claude took 8 minutes to create and register the plugin. I then compared it to Softube's Opto, and UAD's LA/2A
Read it →AI gives wrong answers because it's pattern matching on whatever you give it. Here's how I set up a Claude project that pushes back, asks questions, and helps me decide.
Read it →Eight stages in order: finish the songs, track, mix, master, art and metadata, distribution, pre-release, launch. The order I used for Small Town Wanderer.
Read it →Yes. The Spark 40 connects by USB and appears in Logic Pro as an audio device, so you record the processed amp sound. Fine for demos, limiting for a release.
Read it →Install the free Logic Remote app on an iPad, pair it with Logic Pro over Wi-Fi, and arm, record, punch in, and set markers from the instrument.
Read it →Yes. Bass goes straight into the Headrush Core, through a bass amp and cab model, and over USB into Logic Pro. Every bass part on my record was done this way.
Read it →Yes. I mixed my record on KRK KNS 8400s with SoundID Reference calibration. Calibration is what made the low end and vocal level translate elsewhere.
Read it →Connect the Strata Core by USB, load Superior Drummer 3 on a software instrument track in Logic Pro, and pick the matching e-drum preset inside SD3.
Read it →The Headrush Core is a USB audio interface. Set it as Logic Pro's input and output device and record the processed signal. No driver, no extra interface.
Read it →My Logic Pro template routes every instrument group to its own bus, then to a Music bus, a Full Mix bus, and the stereo out, so one option-click solos anything. Free to download.
Read it →